3 burly men at sea game movie#
3 burly men at sea game professional#

I guess it was obvious from the outside all along, but I havenвЂ™t really thought of it as my art style until maybe the past year. Visually, itвЂ™s not too much of a leap from mid-century design to modern Scandinavian illustration, so Burly Men at Sea was a natural progression from the Doggins art style. That part was extremely inefficient, so for Burly Men at Sea, we decided to use purely vector art. I tried a few directions before I had the idea of giving it a midcentury sci-fi look, which put me on the path of geometric shapes and bright colors.ДЄt the time, I was working in vector, but the final art also had a texture process to give it a screen-printed look. I tended to be the flexible type, but I think making games changed that.Дoggins was the biggest project IвЂ™d ever tackled, and I had no client to tell me what it should look like. In the design world, thereвЂ™s a divide over whether itвЂ™s better to be flexible and adapt to any aesthetic a project called for, or to develop a personal style that clients would seek out. Pip: Between Burly Men and Doggins IвЂ™d say you have a distinctive aesthetic вЂ“ how has that developed?Д«C: My background in logo design and illustration probably had the biggest impact on the look of both, though I donвЂ™t think I really had a cohesive style before Doggins. The appearance of the game was inspired by a mix of things: from the design of illustrated storybooks like Saul BassвЂ™ HenriвЂ™s Walk to Paris, to the colors of paint traditionally used in Norwegian fishing villages, to the bright geometry of modern Scandinavian illustration. It felt natural to give the game a Scandinavian setting, so every creature or phenomenon encountered during your journey is drawn from that regionвЂ™s folklore (or, occasionally, that of nearby areas). The gameplay evolved quite a bit along the way, but the story became exactly that. Pip: What was the inspiration for Burly Men at Sea?Д«C: WeвЂ™d come up with the name years before we got into games, so when we were talking about what kind of game we wanted to make after Doggins, I pitched it as a folklore-inspired seafaring adventure about three bearded men. So we spent a couple of years making a small adventure game called Doggins, then jumped in full-time to develop Burly Men at Sea. It maybe goes without saying that we already loved games, and that theyвЂ™d had a big impact on our childhoods. On top of our shared love of storytelling and related professions, David had some experience with programming, and IвЂ™d been learning to animate.

3 burly men at sea game movie#

So when he happened to see a screening of Indie Game: The Movie at work, we both realized suddenly that making a game together would be the perfect outlet for both our skill sets. WeвЂ™d worked together on a few creative projects over the years, usually short films, but they tended to lean more toward DavidвЂ™s skill set than mine.

3 burly men at sea game professional#

Pip: Hi Brooke, can you tell me a little about each of yours and David Condolora's professional backgrounds and what led you to form Brain&Brain?Д«rooke Condolora: David was an assistant editor on films at Pixar and Disney, and I was an independent graphic designer and web developer. Take a peek after the jump, and click on any of the images to see a larger version.

To find out more I spoke to one half of the development team at Brain&Brain, Brooke Condolora and asked her to share snippets from her sketchbooks and from across the game's development. The reason I was particularly excited was, more than any other game, the demo I played seemed to capture the essence of children's story books and translate that to the screen in a way that felt natural. Part of the Leftfield Collection, the game offered a beautifully stylised tale about three bearded brothers going off on an adventure. Burly Men At Sea sailed onto my radar at Rezzed earlier this year.